The Big Year Movie Trailer

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Film - Wikipedia. Film, also called a movie, motion picture, theatrical film, or photoplay, is a series of still images that when shown on a screen create an illusion of motion images (due to the phi phenomenon). This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession. The process of filmmaking is both an art and an industry.

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A film is created by photographing actual scenes with a motion picture camera; by photographing drawings or miniature models using traditional animation techniques; by means of CGI and computer animation; or by a combination of some or all of these techniques and other visual effects. The word "cinema", short for cinematography, is often used to refer to the industry of films and filmmaking or to the art of filmmaking itself. The contemporary definition of cinema is the art of simulating experiences to communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations.[1]Films were originally recorded onto plastic film through a photochemical process and then shown through a movie projector onto a large screen.

Contemporary films are now often fully digital through the entire process of production, distribution, and exhibition from start to finish, while films recorded in a photochemical form traditionally included an analogous optical soundtrack, which is a graphic recording of the spoken words, music and other sounds that accompany the images. It runs along a portion of the film exclusively reserved for it and is not projected. Films are cultural artifacts created by specific cultures. They reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment, and a powerful medium for educating—or indoctrinating—citizens. The visual basis of film gives it a universal power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles to translate the dialog into the language of the viewer.

Some have criticized the film industry's glorification of violence[2] and its potentially negative treatment of women.[3][4]The individual images that make up a film are called frames. During projection of traditional films, a rotating shutter causes intervals of darkness as each frame, in turn, is moved into position to be projected, but the viewer does not notice the interruptions because of an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after the source has been removed. The perception of motion is due to a psychological effect called phi phenomenon. The name "film" originates from the fact that photographic film (also called film stock) has historically been the medium for recording and displaying motion pictures. Many other terms exist for an individual motion picture, including picture, picture show, moving picture, photoplay, and flick. The most common term in the United States is movie, while in Europefilm is preferred.

The Big Year Movie Review

Terms for the field, in general, include the big screen, the silver screen, the movies, and cinema; the latter is commonly used in scholarly texts and critical essays, especially by European writers. In early years, the word sheet was sometimes used instead of screen.

History. Preceding technologies. Love &Amp; Basketball Movie Watch Online. Preceding film in origin by thousands of years, early plays and dances had elements common to film: scripts, sets, costumes, production, direction, actors, audiences, storyboards and scores. Much terminology later used in film theory and criticism apply, such as mise en scène (roughly, the entire visual picture at any one time). Owing to the lack of any technology for doing so, the moving images and sounds could not be recorded for replaying as with film. The magic lantern, probably created by Christiaan Huygens in the 1. Typically, two glass slides, one with the stationary part of the picture and the other with the part that was to move, would be placed one on top of the other and projected together, then the moving slide would be hand- operated, either directly or by means of a lever or other mechanism. Chromotrope slides, which produced eye- dazzling displays of continuously cycling abstract geometrical patterns and colors, were operated by means of a small crank and pulley wheel that rotated a glass disc.[5]In the mid- 1.

Joseph Plateau's phenakistoscope and the later zoetrope demonstrated that a carefully designed sequence of drawings, showing phases of the changing appearance of objects in motion, would appear to show the objects actually moving if they were displayed one after the other at a sufficiently rapid rate. These devices relied on the phenomenon of persistence of vision to make the display appear continuous even though the observer's view was actually blocked as each drawing rotated into the location where its predecessor had just been glimpsed. Each sequence was limited to a small number of drawings, usually twelve, so it could only show endlessly repeating cyclical motions. By the late 1. 88. The use of sequences of photographs in such devices was initially limited to a few experiments with subjects photographed in a series of poses because the available emulsions were not sensitive enough to allow the short exposures needed to photograph subjects that were actually moving. The sensitivity was gradually improved and in the late 1. Eadweard Muybridge created the first animated image sequences photographed in real- time.

A row of cameras was used, each, in turn, capturing one image on a photographic glass plate, so the total number of images in each sequence was limited by the number of cameras, about two dozen at most. Muybridge used his system to analyze the movements of a wide variety of animal and human subjects.

Hand- painted images based on the photographs were projected as moving images by means of his zoopraxiscope.[6]First motion pictures. By the end of the 1.

Some early films were made to be viewed by one person at a time through a "peep show" device such as the Kinetoscope and the mutoscope. Others were intended for a projector, mechanically similar to the camera and sometimes actually the same machine, which was used to shine an intense light through the processed and printed film and into a projection lens so that these "moving pictures" could be shown tremendously enlarged on a screen for viewing by an entire audience. The first kinetoscope film shown in public exhibition was Blacksmith Scene, produced by Edison Manufacturing Company in 1. The following year the company would begin Edison Studios, which became an early leader in the film industry with notable early shorts including The Kiss, and would go on to produce close to 1,2.

The first public screenings of films at which admission was charged were made in 1. American Woodville Latham and his sons, using films produced by their company, and by the – arguably better known – French brothers Auguste and Louis Lumière with ten of their own productions.[citation needed] Private screenings had preceded these by several months, with Latham's slightly predating the Lumière brothers'.[citation needed] Another opinion is that the first public exhibition of projected motion pictures in America was at Brooklyn Institute in New York City 9 May 1. Early evolution. The earliest films were simply one static shot that showed an event or action with no editing or other cinematic techniques. Around the turn of the 2. The scenes were later broken up into multiple shots photographed from different distances and angles. Other techniques such as camera movement were developed as effective ways to tell a story with film. Until sound film became commercially practical in the late 1.

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