One of the two corridors in Lucky House, with coffin-like bunks made of plywood on either side. Photograph: Benjamin Haas for the Guardian But the residents of Lucky.

Rent (musical) - Wikipedia. Rent is a rock musical with music, lyrics, and book by Jonathan Larson,[1] loosely based on Giacomo Puccini's opera. La Bohème. It tells the story of a group of impoverished young artists struggling to survive and create a life in New York City's East Village in the thriving days of Bohemian. Watch Online Watch M.F.A. Full Movie Online Film there. Alphabet City, under the shadow of HIV/AIDS.

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The musical was first seen in a workshop production at New York Theatre Workshop in 1. This same Off- Broadway theatre was also the musical's initial home following its official 1. The show's creator, Jonathan Larson, died suddenly of an aortic dissection, believed to have been caused by undiagnosed Marfan syndrome, the night before the Off- Broadway premiere. The show won a Pulitzer Prize, and the production was a hit. The musical moved to Broadway's larger Nederlander Theatre on April 2. On Broadway, Rent gained critical acclaim and won a Tony Award for Best Musical among other awards.

The Broadway production closed on September 7, 2. On February 1. 4, 2. Wicked surpassed Rent's number of performances with a 2pm matinee, pushing Rent from the tenth- to eleventh- longest- running Broadway show.[3][4] The production grossed over $2. The success of the show led to several national tours and numerous foreign productions.

In 2. 00. 5, it was adapted into a motion picture featuring most of the original cast members. Concept and genesis[edit]In 1. Billy Aronson wanted to create "a musical based on Puccini's La Bohème, in which the luscious splendor of Puccini's world would be replaced with the coarseness and noise of modern New York."[6] In 1. Jonathan Larson, a 2. Aronson on this project, and the two composed together "Santa Fe", "Splatter" (later re- worked into the song "Rent"), and "I Should Tell You". Larson suggested setting the play "amid poverty, homelessness, spunky gay life, drag queens and punk" in the East Village neighborhood of Manhattan, which happened to be down the street from his Greenwich Village apartment.

He also came up with the show's ultimate title (a decision that Aronson was unhappy with, at least until Larson pointed out that "rent" also means torn apart). In 1. 99. 1, he asked Aronson if he could use Aronson's original concept and make Rent his own. Larson had ambitious expectations for Rent; his ultimate dream was to write a rock opera "to bring musical theater to the MTV generation."[7] Aronson and Larson made an agreement that if the show went to Broadway, Aronson would share in the proceeds and be given credit for "original concept & additional lyrics".[7]Jonathan Larson focused on composing Rent in the early 1.

Moondance Diner to support himself. Over the course of years, Larson wrote hundreds of songs and made many drastic changes to the show, which in its final incarnation contained 4. In the fall of 1. Larson approached James Nicola, artistic director of New York Theatre Workshop, with a tape and copy of Rent's script. When Rent had its first staged reading at New York Theatre Workshop in March 1. As of 1. 99. 4, the New York Theatre Workshop version of Rent featured songs that never made it to the final version, such as: "You're a Fool""Do a Little Business", the predecessor of "You'll See", featuring Benny, Mark, Roger, Collins and Angel"Female to Female A & B", featuring Maureen and Joanne"He's a Fool""He Says""Right Brain", later rewritten as "One Song Glory", featuring Roger"You'll Get Over It", the predecessor of "Tango: Maureen", featuring Mark and Maureen"Real Estate", a number wherein Benny tries to convince Mark to become a real estate agent and drop his filmmaking"Open Road", the predecessor of "What You Own", with a backing track similar to this in "Your Eyes"This workshop version of Rent starred Anthony Rapp as Mark and Daphne Rubin- Vega as Mimi.

Larson continued to work on Rent, gradually reworking its flaws and staging more workshop productions.[8]On January 2. Broadway opening, Larson had his first (and only) newspaper interview with music critic Anthony Tommasini of The New York Times, attracted by the coincidence that the show was debuting exactly 1. Puccini's opera. Larson would not live to see Rent's success; he died from an undiagnosed aortic aneurysm (believed to have resulted from Marfan syndrome) in the early morning of January 2. Friends and family gathered at the New York Theatre Workshop, and the first preview of Rent became a sing- through of the musical in Larson's memory.[7][9]The show premiered as planned and quickly gained popularity fueled by enthusiastic reviews and the recent death of its composer. It proved extremely successful during its off- Broadway run, selling out all its shows at the 1.

New York Theater Workshop.[2] Due to such overwhelming popularity and a need for a larger theater, Rent moved to Broadway's recently remodeled Nederlander Theatre on 4. Street on April 2. Sources and inspiration[edit]Larson's inspiration for Rent's content came from several different sources. Many of the characters and plot elements are drawn directly from Giacomo Puccini's opera La Bohème, the world premiere of which was in 1.

Rent's premiere.[1. La Bohème was also about the lives of poor young artists. Watch Cabin Fever: Patient Zero Online Free 2016 on this page. Tuberculosis, the plague of Puccini's opera, is replaced by HIV/AIDS in Rent; 1.

Paris is replaced by New York's East Village in the late 1. The names and identities of Rent's characters also heavily reflect Puccini's original characters, though they are not all direct adaptations. For example, Joanne in Rent represents the character of Alcindoro in Bohème, but is also partially based on Marcello. Also, Joanne is the only Rent character whose predecessor in La Bohème is the opposite sex.

La Bohème. Rent. Mimì, a seamstress with tuberculosis. Mimi Márquez, an erotic dancer with HIV and Roger's girlfriend. Rodolfo, a poet. Roger Davis, a songwriter- musician who is HIV positive and Mimi's boyfriend. Marcello, a painter. Mark Cohen, an independent Jewish- Americanfilmmaker and Roger's roommate. Musetta, a singer.

Maureen Johnson, a bisexual performance artist and Joanne's girlfriend. Schaunard, a musician. Angel Dumott Schunard, a drag queen percussionist with AIDS, who is Collins' partner. Colline, a philosopher. Tom Collins, a gay, part- time philosophy professor at New York University and anarchist with AIDS and Angel's partner. Alcindoro, a state counselor. Joanne Jefferson, a lesbian lawyer, who is Maureen's girlfriend (Also partially based on Marcello)Benoît, their landlord.

Benjamin 'Benny' Coffin III, the local landlord and a former roommate of Roger, Mark, Collins, and Maureen. Other examples of parallels between Larson's and Puccini's work include Larson's song "Light My Candle", which draws melodic content directly from "Che gelida manina"; [1.

Quando me'n vo'" ("Musetta's Waltz"), a melody taken directly from Puccini's opera; and "Goodbye Love", a long, painful piece that reflects a confrontation and parting between characters in both Puccini's and Larson's work.[1. Quando me'n vo'" is paralleled in the first verse of "Take Me or Leave Me," when Maureen describes the way people stare when she walks in the street. It is also directly referred to in the scene where the characters are celebrating their bohemian life. Mark says, "Roger will attempt to write a bittersweet, evocative song.." Roger plays a quick piece, and Mark adds, ".. Watch Our Brand Is Crisis Download on this page. Musetta's Waltz'." This part of "Musetta's Waltz" is also later used in "Your Eyes", a song Roger writes. Rent is also a somewhat autobiographical work, as Larson incorporated many elements of his life into his show.

Larson lived in New York for many years as a starving artist with an uncertain future. He sacrificed a life of stability for his art, and shared many of the same hopes and fears as his characters. Like his characters he endured poor living conditions, and some of these conditions (e. Rent"]) made their way into the play.[1.