Watch dogville 2003 free movie full online. A barren soundstage is stylishly utilized to create a minimalist small-town setting in which a mysterious woman.

October 2. 00. 9 - Bondage Video Discussion Forum Archive. LTL: That poster for Live Animals looks good. Almost too good. I'm keeping my fingers crossed that this isn't yet another example of false advertising.

MAV: Yes indeed, those are the Sophie Monk scenes from "The Hills Run Red." - -- -- -- -- -Steve Power: Excellent clip and great facial expressions on the model. Given jhlipton's tastes for chocolate, I hope he gets a chance to see this one, too. A Canadian: Slave Castle 3 looks interesting. It seems that women play the dominant roles in that film, no? From what Ralphus and Scribbler described, it sounds like Sarge has much more footage of their torment of Amber Rayne.

1. Welcome to Career Watch, a vocational checkup of top actors and directors. In this edition we tackle Alexander Skarsgård, who’s advancing his career with a canny.
2. Bring Out the GIMP (Girls in Merciless Peril) October 2009 Archives. Discussion Forum for Extreme Bondage Fantasy Video. DVDs or Web. One month of eight years worth.
3. The Chessplayer The movie is about Diego who wins the Spanish Championship of Chess. After being imprisoned in an SS prison for spying, he will try to survive in a.

Thanks for the review of the first installment. Well, I guess this would be a good time as any to go back in time for some older Blakemore work. So here goes: BONDAGE CLASSICS #1. This HOM effort compiles seven separate stories, some outstanding, others disappointing. A number of consistencies run throughout the film.

There is consistently no dialogue. Watch Cry-Baby Online Metacritic. The women are consistently hot. The bondage is consistently tight. And the editing is consistently bad. Oh, and this review is consistently long- winded.)Forced Entry Kathy Knight is in big trouble. A masked man (Whitman/Blakemore) reads a note instructing him to "make her cooperate" because she has details on something called the "Hutchins Affair." He enters her apartment as the pretty blond target tries to flee out the window.

Find the full TCM schedule and learn what classic movies and programming will be airing on Turner Classic Movies. 8 Mile The story focuses on a young rapper named Jimmy Smith Jr who struggles with every aspects of his life. He wants to take advantage from what could be his last. Synopsis, cast and crew, and discussion board. With Pascal Benezech, Dominique Pinon, Marie-Laure Dougnac, Jean-Claude Dreyfus. Post-apocalyptic surrealist black comedy about the landlord of an apartment building.

He forces her to put leather straps on her wrists and ankles, and then stands her on a stool. Her wrist straps are chained to a ring above and the stool is removed. As she's hanging there, her short yellow one- piece shirt/dress gets lifted up, exposing her black panty- encased ass. She kicks at him with her white, knee- high boots so he secures her ankles together. Now on to the good stuff.

He unzips the front of her top to reveal a nice set of natural tits, which he naturally fondles and slaps. As her legs start to glisten in sweat, he yanks off her panties and dangles them in front of her face. She pleads no, and closes her mouth. We may not know what the hell the Hutchins Affair is, but we sure know where those panties are gonna end up. He entices her to cooperate by smacking her tits with a belt, then packs the panties in and keeps them place with the belt. He then uses a long piece of wood as a leg- spreader bar.

Suddenly, she's seated on the stool. He binds her arms behind, but she still won't cooperate. Again, without a smooth transition, he has her tits tied and plays with her nipples and pussy as she shakes her head. Showing he means business (after all, this has to do with the *shudder* Hutchins Affair), he attaches a makeshift wooden dildo to a stick. Kathy is now standing, arms tied in front but legs still secured to the spreader bar.

He wraps a belt around her neck and inserts the dildo, with the bottom end of the stick screwed into the spreader bar so the contraption is an upside down "T." Although the bottom of her dress obscures our view of the insertion, we do see some blood oozing down the wooden dildo. Blakemore shoves it in a bit more and blood appears smeared on his fingers. He molests her as she gives a great look of agony.

Next, she is lying on her back, ungagged and arms in front holding the wooden dildo that's still inside her. Blakemore panty gags her again and leaves her there as she plays with her breasts. I guess this means she is cooperating. This was a pretty mean- spirited entry, but the choppy editing was an annoyance, as well as the "happy" ending. Bondage by Prescription Lovely nurse Rene Baker is sitting alone when a man, presumably Blakemore, in surgeon's clothes and a grotesque monster mask, chloroforms her. She comes to sporting a ring gag consisting of white tape and, I think, the inner role of the tape. Her wrists are taped over her head to a vertical pipe, and her legs are tied together with rope and suspended.

Blakemore unbuttons her nurse's uniform (I guess white garter belts are part of the dress code there) and attaches medical clamps to her gorgeous and natural tits. Give me Rene Baker's body over any surgically enhanced one nowadays. Blakemore plays with her pussy and tits for a while as she writhes around to the cheesy porno music. Next, she's standing with her back to the pole and her arms taped behind. He uses the medical clamp to grab her tongue through the ring gag. At this point, her tears cause the mascara to stream down her cheek. And we get great eye expressions of this poor damsel in distress.

But wait! She kicks him! Startled and a bit befuddled, Blakemore gets a belt and lashes her tits and midriff, then uses a spreader bar to keep those pesky legs in place. He pulls down her sheer panties a bit and yanks at her pubes with the clamp.

Then the annoying editing takes over. Suddenly, she's ungagged as he applies a tight crotchrope and rubs her pussy. Fade out and fade in to her AOH, in a chair, with her legs still in the spreader bar that's hoisted up, leaving her pussy vulnerable to attack. She is rope- gagged. Blakemore strokes her lovely legs and pussy, and then inserts a dildo (not shown but her facial reaction indicates what's going on).

Like magic, Blakemore's now sitting in the chair with Rene standing over his knee. Her arms are tied behind her back and she is not gagged. He again plays with her goodies, then forces her down to give him a blow job.

This is another strong entry. Rene is gorgeous and gives some great facial expressions while Blakemore is typically mean. But this segment also suffers from choppy editing. The transitions between some of the different bondage settings are non- existent. For example, after he starts forcing her to give him head, we immediately jump to .. Captured 1 A very hot blonde (don't know her name but she appears in other Bondage Classics films) in a really short skirt and white boots comes home as the villain (Blakemore) sneaks into the basement through a window.

The clumsy intruder knocks over a flower pot so blondie wisely decides to investigate- -alone. As she makes her way down the stairs, the villain in a stocking mask attacks, and he somehow knocks her unconscious by simply grabbing her arms. Seated on the floor, she is tied to a concrete pillar by her elbows behind her back. As she awakens, he rips open her blouse and stuffs a wad of cloth in her mouth and cleave gags her.

He orders her to stand up as the music intensifies. She refuses so he removes his belt and smacks her a bit. We get close- ups of her face in a supposed reaction to the lashing. She looks absolutely beautiful. After blondie is finally standing, Blakemore ties her legs to the pillar. But this entire vignette suffers because she herself gets into her predicament.

With her free hands, she fondles her breasts, which remain encased in a white bra. With some encouragement from his belt, Blakemore orders her to take down her skirt and we see she's wearing some damn sexy white panties. After some bad editing, he secures one of her ankles up to a pulley, ties her wrists together and applies a crotch- rope that gets looped over the pulley. Then he waves goodbye to her. A rather weak entry, given the consensual aspect of it and the fact that her underwear is never removed. It gets better, and stranger, in .. Captured 2 It seems the intruder is a music lover.

Our blond victim is led by the crotchrope, arms tied behind her back, and she's still in her underwear. He hoists up her arms so she's in a standing strappado, and the crotchrope is reapplied, Finally, and I mean finally, he removes her bra to reveal her natural tits. He gives them a squeeze and flicks her nipples. He puts her on the filthy basement floor, hogties her and gives her some more tit groping and a reverse wedgie. Then, for reasons unexplained, he opens up a portable stereo in a suitcase and plays an album ("War Live"). Next, she's standing and her elbows are tied behind while her wrists are secured in front to a rope tied around her waist.

How ‘Big Little Lies’ Turned Alexander Skarsgård Into Awards Contender. Welcome to Career Watch, a vocational checkup of top actors and directors. In this edition we tackle Alexander Skarsgård, who’s advancing his career with a canny combo of studio movies, indie films, and premium television. Bottom Line: You never know where you stand with Skarsgård, who has the complexity of a character actor beneath the leading- man looks that launched a thousand memes. Reads one: “Research shows that if you’re afraid of spiders, you are more likely to find one in your bedroom… I’m really afraid of Alexander Skarsgård.”)His muscular swagger and danger is on display in “The Legend of Tarzan,” but his tender attentions to wife Jane (Margot Robbie) were that film’s throbbing heart. And in the hugely popular and topical HBO drama series “Big Little Lies,” he holds his own with an ensemble of powerful women including executive producer Nicole Kidman, who performs an astonishing pas de deux with Skarsgård as an elegant Monterey couple trapped in a sadomasochistic power struggle of spousal abuse.

Critics’ raves and audience reaction will likely push both actors to Emmy nominations. It would be Skarsgård’s first.“Zoolander”Career Peaks: The Stockholm- born scion of cinema icon Stellan Skarsgård started out in Sweden’s hospital soap opera “White Lies” and Swedish indie films until he broke out in an English- language role as male model Meekus in Ben Stiller’s “Zoolander.” HBO cast him as Sergeant Brad ‘Iceman’ Colbert in David Simon and Ed Burns’ 2.

Iraq mini- series “Generation Kill” as well as the ancient Viking vampire sheriff and bar owner Eric Northman in “True Blood,” which wound up its 7th season in 2. The Legend of Tarzan”Assets: Yeah, yeah, blond hunk, but behind those deep blue eyes lies a wily intelligence, a goofy boyishness, an open vulnerability, a live- wire reactivity, and mystery — a promise of something yet unseen. As “Big Little Lies” reveals, the actor is eager to explore his dark side. And he will only become more dangerous with age and gravitas. Clearly, Skarsgård is following his own taste for such roles as the hapless groom in Lars von Trier’s 2. Cannes entry “Melancholia,” which will serve him in the long run as he skips formula studio fare. What went wrong with “The Legend of Tarzan” had more to do with budget and expectations than Skarsgård, who won raves for bringing more than sculpted abs to the title role.)“I’m always going with my visceral reaction when I read a script,” he said on the phone from Sweden. I am more drawn to characters who are conflicted, and in developing a character exploration.

If it’s a baddie I’m rarely intrigued, and if it’s a goody two- shoes, too much of a good guy, I’m not either. I’m always interested in finding that darkness, even of a classic superhero like Tarzan. I want to find that struggle and that darkness within.”Biggest Problems:  Many are unaware of his under- the- radar performances in low- budget indies like “What Maisie Knew,” as the nurturing boyfriend of a rock star (Julianne Moore) who enjoys spending more quality time with her neglected little girl than she does, or in “The Diary of a Teenage Girl,” as an amoral hippie who introduces exuberant sex to his girlfriend’s precocious daughter (Bel Powley). While casting directors know that he’s more than a sexy heartthrob or his trademark eyebrow lift “scarsbrow,” his Nordic good looks can get in the way of earning wider respect for his acting chops.“What Maisie Knew”Jo. Jo Whilden. Awards Attention: This Emmys buzz is a first; judgement- clouding good looks may account for why Skarsgård hasn’t been in the running for more awards recognition. This will change.

Latest Contender: Nicole Kidman, who nailed down the rights to the novel with executive producer Reese Witherspoon, wanted Skarsgård to play her husband Perry Wright in showrunner David Kelley’s “Big Little Lies.” When Skarsgård read the script, “I was excited to work with her and [mini- series director] Jean- Marc [Vallée],” he said. On the page, it was very rich. It didn’t feel like a stereotypical clichéd version of a couple dealing with domestic abuse.

It was a very detailed, layered relationship.”“Big Little Lies”Hilary Bronwyn Gayle/ HBORather than rehearsing, Skarsgård and Kidman spent some time in Los Angeles the month before shooting, not only with each other but with the boys who play their twin kids. While the two actors had met a few times — Kidman had starred opposite his father on Lars von Trier’s “Dogville,” — “We didn’t know each other,” Skarsgård said. We hung out and played with the kids, talked a bit about our relationship.” But they held back until they were on set.

We wanted to dive in and find it.”Clearly, Perry Wright is more than a stock villain. On the surface, they look to have the perfect life,” he said.

I wanted him to have an unimpeachable closet with everything very OCD, everything the perfect cut— that, combined with the amazing house, beautiful wife, sweet lovely kids. We invited the audience into the dream scenario — ‘I wish this was my life!’ — until you scratch the surface and go deeper. On top of this perfect life, they have an amazing sex life, until you realize there’s something else underneath that comes out because of the chaos on the inside in his soul.”The trick for Skarsgård was to make this intense guy relatable: “He’s having an inner struggle, he’s conflicted, he has demons.

He’s fighting it. He feels deep down that he doesn’t deserve her.

To me, that was a key way into the relationship, to understand Perry, to feel inferior. He needs her. When they met, she was a talented, beautiful, smart, interesting woman. On the surface, he’s an alpha — but deep down, he’s insecure and spends his life waiting for the moment when she leaves him.

In a weird, twisted way his way to control her is lashing out. In the moment of violence, he’s in control.”Working with Vallée’s 3. Kidman and Skarsgård extraordinary freedom to map out their intensely sexual and increasingly violent encounters, which were filmed chronologically, so that they shot the cathartic Season 7 finale at the end.

From the first time I grab her in the first episode, it escalates to being very graphic and intense at the end,” he said. It helped tremendously to find that arc.”Both actors had worked with von Trier, so they knew how to improvise in the moment. The physicality was improvised,” he said. We didn’t release it.

We showed up. We talk about it and then we jump in and see where it goes. Those days were intense and tough to shoot and emotionally very difficult. It was of great importance to check in with each other. It was exhausting and very tough.“You show up and the whole room is yours to explore,” said Skarsgård.

It feels alive in a way you don’t get with traditional two- shot camera filming. Watch Autumn Online Autumn Full Movie Online here. It was exciting and fun working on this set: if Nicole and I discovered something in a take, when he’d yell cut, we’d jump back in five seconds later. I felt very free. Jean- Marc encouraged us try things and encouraged us to have fun, to take it where we wanted to go.”The crazy sex tango between Celeste and Perry was fascinating for the actors to parse. It’s so muddled,” he said. What makes it difficult for Celeste to leave Perry, or come to a realization that’s he’s abusive, is that she feels partly responsible for it because their sex life is so wild and animalistic and intense. She feels, ‘Am I egging him on, pushing him to this place, taking him too far?’ He goes over the fine line between passion and lovemaking and becomes abusive.

We wanted it to be confusing for the characters and the audience in the beginning. When it feels amazing and passionate super- intense, it can be physical in a great way. This is an addiction, so they enjoyed getting to that place in order to have a great sex life.”[SPOILER ALERT]Skarsgård knew from the start how the final party episode ends.