1) Fast Times at Ridgemont High, 1982 Tapping into those high school stereotypes, there's sartorial inspiration for everyone in this film—the surfer, the skater. Cameron Crowe’s 1982 magnum opus, Fast Times at Ridgemont High, is a deep meditation on a number of subjects: marijuana, Thomas Jefferson, and statutory rape among.

Best '8. 0s Teen Movies, Ranked. The 1. 98. 0s were an incredible time for teen movies. That’s because it was the decade where Hollywood studios figured out that teenagers had a lot of disposable income that they were willing to spend on various forms of entertainment. By making movies specifically targeted toward dating adolescents and/or groups of friends hanging out together, they were able to generate some serious revenue. It helped that most malls — the social hubs of the era — had cinemas, making it convenient for kids to plunk their money down at the box office.

Certainly, there were some unimaginative duds tossed into theaters in an effort to capitalize on all of this, but there were some bonafide classics, too. What follows is a ranking of the best teen pictures of the era. We know it will be controversial. There were so many great movies aimed at the teen crowd during the ’8.

Judge Reinhold, Actor: Beverly Hills Cop. Judge Reinhold has been in over seventy-five motion picture and television roles and enjoys a 25-year relationship with an. Watch movies online free. Watch series online. Over 9000 free streaming movies, documentaries & TV shows. Taking its name from the classic Beatles song, Can’t Buy Me Love is the story of Ronald Miller (Patrick Dempsey), a high school outcast desperate to climb his. · · Don't miss the HOTTEST NEW TRAILERS: http:// CLIP DESCRIPTION: During a discussion of the Vietnam War, Professor Terguson (Sam Kinison) yells.

Watch Fast Times At Ridgemont High Online Free Hd

How did we narrow this list down? For starters, we looked at enduring appeal. The films that follow are still relevant and enjoyable today. What their stories had to say and how they said it was also a major factor. Since young people are often influenced by entertainment, it only made sense to consider the messages these works delivered. Some of the entries are pretty obvious, while others are “buried treasures” that deserve to be rediscovered. We’ve got genre films mixed in with high school tales.

Watch Fast Times At Ridgemont High Online Free Viooz

So put on your leg warmers, crank up your Duran Duran CDs, and prepare to go back in time. Here are the 1. 5 Best ’8. Teen Movies, Ranked. The Lost Boys. The Lost Boys is a perfect representation of how Hollywood tried to appeal to teens in the 1. It had a cast of actors who were, at the time, red- hot up- and- comers, including Kiefer Sutherland, Jason Patric, Jami Gertz, and both Coreys (Haim and Feldman). There was also a soundtrack album full of songs from some of the top artists of the day (INXS, Echo and the Bunnymen, Lou Gramm, etc). The story concerns two brothers who move to a new town, only to discover that the local cool kids are really a pack of vampires.

Everything about The Lost Boys — from its cast, to its music, to its fashions, to its filmmaking style — is quintessentially ’8. The movie feels like a horror movie made in MTV music video style.

While it may seem a little dated now for that very reason, the picture still stands as a prime example of how slick entertainment was packaged for teen audiences during the era. And the entertainment value remains. Any horror flick where a guy is forced to hallucinate that a takeout container of rice is actually full of maggots can never completely lose its punch. Better Off Dead“Savage Steve” Holland wasn’t the household name that John Hughes was, but he was similarly a filmmaker with a particular interest in teen life. His film Better Off Dead stars John Cusack as Lane Meyer, an adolescent who makes several humorously unsuccessful suicide attempts after his girlfriend dumps him for the captain of the ski team. Hey, it was the ’8.

People played suicidal ideation for laughs back then.) In an effort to win her back, he challenges the boyfriend to a ski race, despite not knowing how to ski. Politically incorrect subject matter aside, Better Off Dead is notable for its comically skewed world. Lane is repeatedly dogged by a paperboy demanding the two dollars he is owed. He keeps encountering a pair of Japanese drag racers, one of whom speaks in the voice of legendary sportscaster Howard Cosell. And who could forget the animated sequence in which Lane imagines one of the hamburgers he’s flipping coming to life and playing guitar to Van Halen’s “Everybody Wants Some”? Better Off Dead captures the way the teen years can feel deeply weird, while also maintaining a sense of sweetness.

Holland’s follow- up, One Crazy Summer, became a cult favorite, too. Can’t Buy Me Love. Taking its name from the classic Beatles song, Can’t Buy Me Love is the story of Ronald Miller (Patrick Dempsey), a high school outcast desperate to climb his school’s social ladder.

To accomplish this, he decides to pay the most popular girl in school, Cindy Mancini (Amanda Peterson), a thousand bucks to pretend to be his girlfriend for a month. Ronald does indeed become suddenly popular, but he also creates a bunch of new problems for himself. Can’t Buy Me Love has much of value to say about the arbitrary nature of popularity.

Especially in high school years, being popular is often about wearing the “right” clothes or having the “right” friends, as opposed to being a fundamentally likable person. The movie is frequently funny, especially during a scene where Ronald accidentally creates a dance craze after mimicking an African anteater ritual he sees on television.

It’s the message about the importance of being true to yourself and not giving in to other people’s standards that gives it long- lasting impact, though. Sixteen Candles. Adolescence is a time of great drama. Even the little things can feel earth- shaking when you’re a teen. In John Hughes’ debut film Sixteen Candles, Samantha Baker (played by Molly Ringwald, in her breakout role) suffers an existential crisis when her entire family forgets that it’s her 1.

In fact, the only person who totally pays attention to her is the lovestruck school geek, “Farmer Ted” (Anthony Michael Hall). But the guy she really wants to notice her is Jake Ryan (Michael Schoffling), the classmate she’s big- time smitten with. If we’re being honest, parts of Sixteen Candles don’t play so well today.

An exchange student character named Long Duc Dong is a pretty offensive Asian stereotype, and there’s that whole thing with Ted basically date- raping a drunk popular girl. Nevertheless, Hughes had a knack for writing realistic teen dialogue and crafting scenarios that are relatable.

If you’ve ever had an unrequited crush on someone, or if you’ve ever felt invisible to your family and peers, Sixteen Candles understands your pain. The movie also helped turn the great Molly Ringwald into America’s reigning cinematic teen queen. Heathers. The subject of popularity is infused within many of the films on this list, but Heathers puts an insanely dark spin on the subject. In this subversive comedy, Winona Ryder plays Veronica, one member of her high school’s clique of popular girls (the others are all named Heather). She grows tired of their snobby, elitist ways and the manner in which they treat the less popular kids. She decides to leave the group and, together with the class bad boy (Christian Slater), get some vengeance for all the kids the Heathers have mistreated.

Things end up becoming quite deadly. This is one of those movies where you laugh hysterically, then feel guilty for laughing, then laugh some more. Heathers pushes the envelope in mining comedy from teens murdering other teens.

It is, however, a marvelous example of satire. Despite the surface- level gruesomeness, Michael Lehmann’s movie understands that high school is sometimes a dog- eat- dog world when it comes to popularity. Kids can be cruel to each other, killing with words and actions, if not with literal weapons.

That quality gives the film real sting, marking it as one of the most provocative and (yes) deep- digging of the ’8. My Bodyguard. Released in 1. My Bodyguard stars Chris Makepeace as Clifford Peache, the new kid at a Chicago high school. Because he is new and mild- mannered, it doesn’t take long for bully Melvin Moody (Matt Dillon) and his buddies to target him. The fact that Clifford arrives for his first day in a limousine belonging to the hotel his father manages doesn’t endear him to his classmates. To protect himself, he asks Ricky Linderman (Adam Baldwin), the large, troubled, and rumored- to- be- dangerous class outcast to act as his bodyguard. Showtime Full Frankie &Amp; Alice Online Free. These days, it’s not uncommon for teen movies to address bullying in some way, but back then, it was a much less frequently explored topic.

Cameron Crowe, Amy Heckerling on Courting David Lynch, Sean Penn’s Method Acting, Genital Equality – Variety. The seminal teen flick “Fast Times at Ridgemont High” is celebrating its 3. Sunday. Not only did the coming- of- age tale set in Southern California launch the careers of director Amy Heckerling and writer Cameron Crowe, the comedy catapulted Sean Penn, Jennifer Jason Leigh, Phoebe Cates, and Judge Reinhold into stardom. And in 2. 00. 5, “Fast Times,” which was based on Crowe’s 1.

San Diego high school, was selected for preservation in the Library of Congress’ National Film Registry as being “culturally, historically, or aesthetically significant.”Ironically, “Fast Times” had to overcome many obstacles during production and almost failed to get released. Among the early difficulties the production encountered was finding a director for the comedy, which also featured future best actor Oscar winners Forest Whitaker and Nicolas Cage — billed as Nicolas Coppola — as well as Eric Stoltz and Anthony Edwards. Universal executive Thom Mount surprisingly recommended David Lynch, who had directed the seminal 1. Eraserhead” about an odd man taking care of a deformed baby and earned an Oscar nomination for “The Elephant Man,” the acclaimed 1.

John Merrick who is rescued by a Victorian surgeon from a freak show. Not exactly a filmmaker who comes to mind to direct a teen comedy.“I had a meeting with David Lynch,” recalled Crowe (“Say Anything,” “Jerry Maguire”) who won a screenplay Oscar for his 2.

Almost Famous.”The iconoclastic filmmaker drove up to Universal in his VW Beetle and took a meeting with Crowe. He had a very wry smile on his face as I sat talking with him,” noted Crowe. He went and read it. We met again. He was very, very sweet about it, but slightly perplexed we thought of him. He said this was a really nice story but ‘it’s not really the kind of thing that I do, but good luck.’ He got into the white VW bug and drove off.”Years later, Crowe ran into Lynch and reminded him of the meeting.

He very much remembered, which was great,” he said. Heckerling (“Look Who’s Talking”), who made her feature directorial debut with “Fast Times,” didn’t know about the Lynch connection until recently. I had no idea of that at all,” said Heckerling, who has written the book to the upcoming Broadway musical version of her other hit teen comedy, 1. Clueless.”Heckerling was all of 2.

I know Art Linson, the producer,” she noted. He showed me the script. I gave him my thoughts and then said I should meet with the people at Universal.”“They said, ‘you should meet Cameron.’ So we started having meetings,” she said.

I love him to death. He’s a genius. We started playing with different ideas. The book, I thought, it had just such an amazing wealth of material. I thought a lot more of it could be incorporated into the script.”Crowe recalled Heckerling telling him, “‘I love how all the action is centered around the mall in the book. Let’s make the mall an even bigger character for the movie.’ We were like ‘Great idea, we’re on our way.’ Amy completely got it and we were up and running.”Heckerling, who shot at the old Sherman Oaks Galleria during nights, said that not many films at the time used shopping malls as a location. Movies I had seen on TV that had teenagers back then would go to what was like the soda shop.

There was always a place where people went and they sat … people from school could be together in a non- school atmosphere.”And there was another big reason Heckerling liked the mall — it was indoors. I am not an outdoors person.”When “Fast Times” began filming, the teen film genre had little respect. Though there had been such classic teen dramas as 1. Rebel Without a Cause” and “The Blackboard Jungle,” most teen films were slight and often silly.“They hadn’t been very good,” noted TCM host Ben Mankiewicz, who recently introduced Fathom Events and TCM’s theatrical presentation of “Fast Times.”Teen flicks “certainly hadn’t been taken very seriously,” he said.

The establishment in Hollywood — and I don’t mean that as derisively as it comes to sound — has always looked askance at young people, their ideas, what’s important to them. So a movie about young people at a major studio seems silly. I suspect to some people, it was a sign of a changing time that they weren’t comfortable with.”“The hierarchy of the studio never took the movie seriously,” said Crowe. In fact, they kind of turned a blind eye to it. We barely could get on the lot. I remember there was a guy at the front gate named Scotty.

He would remember that we were making a movie there. Watch The Crow Online (2017). The other guys were like ‘What are you doing trying to get on the lot?’ We’re like ‘We’re making this movie called ‘Fast Times at Ridgemont High.’’ And they said ‘No, the studio’s not making a movie called ‘Fast Times at Ridgemont High.’’ We really kind of snuck through.”Much of the credit for the film’s extraordinary cast, Crowe said, goes to casting director Don Phillips.“There were a lot of wonderful people out there,” added Heckerling. In fact, Matthew Broderick was an actor they really liked, Crowe recalled, but “We couldn’t find a part for Mathew Broderick.

There were so many of that whole era of young actors. They were all available because there were no movies for them, so we had our choice of everybody.”Like Penn, who steals the film as the ultimate stoner surfer dude Jeff Spicoli. He came in and did not necessarily give the best reading of all the people, but there’s something so amazingly compelling about him,” said Heckerling. Just talking to him, seeing him. He was fascinating.”Penn was so committed to his role, he actually showed up for shooting wearing the checkerboard Vans shoes he sports in the film, which became a huge hit for the company. He didn’t let us call him by his name until the last day when he gave Amy, Art, and I each a ceremonial shoe and said ‘My name is Sean,’” Crowe quipped.

Save for Ray Walston, as the acerbic history teacher and Spicoli’s nemesis, Mr. Hand, there are very few adults in “Fast Times,” including the characters’ parents.“I hate parents,” said Heckerling. Parents open a whole box of stuff I didn’t want to get into. I just wanted to say ‘Here’s the world of kids in their own universe. Watch Holiday Breakup Online. This is real. This is this particular time and place. These are real characters and what they were going through.’”Crowe recalled being told that if you make a movie just for kids, it will fail because not enough kids will come to the movie.

That was strange to all of us,” he said. So we banded together to make this movie where parents barely existed. It was raw in what it was showing. There was pot smoking and abortion and all of this stuff.”In fact, it was a little too raw for the MPAA, which initially gave it an X rating due to a brief glimpse of Robert Romanus’ private parts when he strips down to make love to Leigh.

When Heckerling was old enough to see foreign films and X- rated movies, she was appalled that “it was only women that were naked, especially in American films. Men weren’t. I thought that’s not right. It just seemed unfair. You could see a naked lady but you couldn’t see a naked man?”So she wanted to have genital equality in her sex scene and immediately was slapped with the rating that would keep teens away from the film.“‘Jaws’ editor Verna Fields, who was then an executive at Universal, even offered to go to Washington, D.

C., to try to fight the rating. Eventually, though, Heckerling blurred the shot. You don’t see anything and then it had an R- rating.”Despite its out- sized cult status now, “Fast Times” grossed a disappointing $2. They weren’t going to release it,” said Heckerling. According to Crowe, “What happened is somebody wrote a memo shortly before the movie was released.