Art, television, theatre and film predictions for 2. On demand TV in 2. Anne of Green Gables, American Gods and JK Rowling's Strike Series. By Ben Lawrence, Telegraph TV and radio correspondent.

If 2. 01. 6 was the year in which our viewing habits were revolutionised, 2. Until now, streaming services such as Netflix and Amazon have felt like high- end curios, offering content with largely niche appeal. But two programmes have introduced online viewing to the mainstream. The Grand Tour, a big- budget version of the BBC’s Top Gear, showed that such companies (in this case Amazon) could beat traditional broadcasters at their own game. The success of The Crown on Netflix has pushed even more significant boundaries. Peter Morgan’s drama about the Royal family has attracted a different sort of subscriber – older, more conventional and less likely to adapt to new technologies.

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2. Telegraph culture critics share their predictions for 2017, including the best art exhibitions, theatre, films, TV and on demand shows.
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The series returns in 2. An affair to remember: F Scott Fitzgerald's relationship with his wife, Zelda, is explored in Z: The Beginning of Everything. Netflix is to air an adaptation of LM Montgomery’s classic Anne of Green Gables, while Amazon Prime has made Z: The Beginning of Everything, a drama about the love affair between F Scott Fitzgerald and his future wife Zelda. That is not to say standard TV will die out. The success of The Missing, BBC One’s harrowing kidnap drama, proved there was still an appetite for the cliffhanger. Its creators, Harry and Jack Williams, are back in 2. Rellik (“killer” spelt backwards) that will no doubt satisfy viewers’ demands for a storyline you have to study at an almost academic level.

The BBC is also making The Strike Series, based on JK Rowling’s crime novels (written under her pseudonym of Robert Galbraith). But more traditional drama will thrive. In January, ITV begins airing The Halcyon, an eight- part drama set at a London hotel in the Blitz. Binge- watch culture is not confined to TV. The seeds are being sown in theatre. But the most pervasive trend of 2.

#Horror [Sub-ITA] (2015) #ScrivimiAncora (2014) 007 - Casinò Royale; 007 - Dalla Russia con amore; 007 - Il domani non muore mai; 007 - Il Mondo non Basta (1999). Directed by Mick Davis. With Andy Garcia, Elsa Zylberstein, Omid Djalili, Hippolyte Girardot. The story of Amedeo Modigliani's bitter rivalry with Pablo Picasso, and. Michelle Newell, Actress: Modigliani. Michelle Newell was born on June 18 1951. She made her television debut in 1972. Four years later she played the ill-fated Mary.

TV”. Amazon and Netflix are commissioning shows that already have a large, dedicated fanbase. From January, Netflix will screen A Series of Unfortunate Events, based on the children’s books by Lemony Snicket and, later in the year, Amazon will show American Gods, an adaptation of Neil Gaiman’s novel, which combines a thriller with Norse mythology. The streaming services have budgets their more conventional rivals can only dream of (rumour has it that The Crown cost US$1.

But binge- watch culture is not confined to TV. The seeds are being sown in theatre. The “stage box set” – a marathon day of theatregoing – has already proved popular with productions such as the Donmar Warehouse’s all- female Shakespeare trilogy and Chichester Festival Theatre’s Chekhov season, proving audiences are happy to watch multiple hours of high- end drama. Next summer, the RSC stages its Rome season, featuring Shakespeare’s four political, bloody plays set in the ancient world. But this trend is thriving in more populist work, too.

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Harry Potter and the Cursed Child – a two- part play running to nearly six hours – has been the biggest money- spinner in theatrical history and its success will undoubtedly spawn imitations. A mooted stage version of The Hunger Games was heading to Wembley in 2.

But one thing is certain: there is a revolution waiting in the wings. Art exhibitions in 2.

David Hockney, Russian Art at the Royal Academy and Pink Floyd. By Mark Hudson, Telegraph art critic. With the world in a state of higher tension than at any time since the Cold War, and Trump’s America determined – paradoxically – to cosy up to Putin’s Russia, the Royal Academy starts the year with two exhibitions that might have seemed a touch obscure but now feel suddenly extraordinarily topical.

On the one hand, we have the art of the Russian Revolution and its aftermath. On the other, American painting from the Depression years of the 1. Revolution: Russian Art 1. Stalin’s crushing boot came down.

This will be the first British exhibition to show the works of radical Russian modernists such as Marc Chagall, Wassily Kandinsky and Kazimir Malevich, side by side with Stalinist social realism. By contrast, there’s a downbeat, wistful spirit to American painting in the years after the Wall Street crash, but with stirrings of a new artistic radicalism. America after the Fall explores this fascinating period with a superb array of works by artists of the order of Georgia O’Keeffe, Edward Hopper and the young Jackson Pollock. The V& A follows up sell- out shows on David Bowie and Alexander Mc. Queen with a show on Pink Floyd. Tate Britain pays an 8.

Englishness: David Hockney. The show brings together six decades of this much loved artist’s work, from Los Angeles swimming pools to Yorkshire landscapes. Two doomed early 2.

Italy’s Amedeo Modigliani at Tate Modern and the Russian- Jewish painter Chaim Soutine at the Courtauld Gallery. Both died young in France: Modigliani in abject poverty and Soutine on the run from the Gestapo.

On the heels of Tate Modern’s ongoing blockbuster on American pop- art pioneer Robert Rauschenberg comes the Royal Academy’s exhibition of his close friend, rival and sometime lover, Jasper Johns. The Victoria and Albert museum, meanwhile, follows up sell- out pop culture shows on David Bowie and Alexander Mc. Queen with one set to be the most successful yet, featuring prog- rock giants Pink Floyd. New theatre shows in 2.

The Glass Menagerie, Hamlet, Travesties and Hamilton. By Dominic Cavendish, Telegraph theatre critic. With Harry Potter and the Cursed Child now a megawatt hit that looks set to blaze bright in the West End for years, theatreland is proving a beacon of UK creative prowess in unsettled times, with some plays as much of a draw as big musicals. The Cursed Child’s director, John Tiffany, now brings his finely measured revival of Tennessee Williams’ The Glass Menagerie to the Duke of York’s Theatre (2.

January to 2. 9 April). Williams’ most autobiographical work and breakthrough play is a searing portrait of a young man burning to leave his claustrophobic home and dead- end job but guilt- tripped by his mother – played with aplomb by Broadway doyenne Cherry Jones – and emotionally tied to his shy sister.

Dark delights: Andrew Scott (Moriarty in Sherlock) will play Hamlet at the Almeida. A household name thanks to Moriarty in.

Sherlock, Andrew Scott is giving us his Hamlet at the Almeida (1. February to 9 April).

It’ll be murder getting tickets, but I’d wager on a West End transfer – it’s directed by that bankable whizz- kid, Robert Icke. Another must- see revival comes in the form of the late Edward Albee’s masterpiece, Who’s Afraid of Virginia Woolf ?, at the Harold Pinter Theatre (2. February to 2. 7 May). Imelda Staunton, who seemingly can do no wrong, takes on Elizabeth Taylor’s role as caustic Martha, while Conleth Hill plays George, the drunken US academic immortalised by Richard Burton.

The moment Hamilton tickets go on sale get online immediately. Those wanting to give their grey cells a work- out should head for the West End transfer of Tom Stoppard’s comedy Travesties at the Apollo (3 February to 2. April), starring The Night Manager’s Tom Hollander. It’s a textbook- perfect account of a knowingly bamboozling play based on a real- life James Joyce saga in 1. Those in search of lighter relief should make for the Garrick (1 March to 1.

June), where Griff Rhys Jones plays the Scrooge- like lead in Moliere’s classic, The Miser. One final recommendation: the moment Hamilton tickets go on sale (3. January) get online immediately.

Coming to the Victoria Palace theatre in November, this Tony award- lavished musical – Lin- Manuel Miranda’s multi- ethnic account of 1. US politician Alexander Hamilton – is a musical masterclass, with unmatchable braininess to boot. Film releases in 2. Blade Runner, Spider- Man and the Trainspotting sequel. By Tim Robey, Telegraph film critic. Going to the cinema in 2. De. Lorean and reaching 8.

My son, I have nothing I can give, but this chance that you may live." With these words, Yocheved, a Hebrew mother, places her infant son in a basket and sets him adrift on the Nile River. His sister Miriam follows him along the riverbank to ensure its safety. After a perilous journey, the basket floats near the royal palace, where it is spotted by the Queen. As she approaches the basket with her young son nearby, she marvels at the beautiful infant boy inside. Showtime Full Captain EO Online Free. She names the baby Moses and adopts him as her own.

Based on the 'Book of Exodus' in the Bible, this is the story of Moses. Rating: PG (for intense depiction of thematic elements)Genre: Directed By: Written By: In Theaters: Dec 1. On Disc/Streaming: Sep 1. Runtime. 9. 3 minutes.