Syriana - Wikipedia. This article is about the film. For the term's use in international relations, see Pax Syriana. Syriana is a 2. 00.

• 1 I celebrate myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul.
• Directed by John Flynn. With Robert Duvall, Karen Black, Joe Don Baker, Robert Ryan. Earl Macklin robs a bank owned by the mob, serves his prison time and is released.
• Syriana is a 2005 American geopolitical thriller film written and directed by Stephen Gaghan, and executive produced by George Clooney, who also stars in the film.
• Alice Isaaz, Actress: Elle. Alice Isaaz is an actress, known for Elle (2016), La crème de la crème (2014) and Un moment d'égarement (2015).

Jacques-Yves Cousteau AC (French: [ʒak iv kusto]; commonly known in English as Jacques Cousteau; 11 June 1910 – 25 June 1997) was a French naval officer, explorer. Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share your publications and get.

American geopoliticalthriller film written and directed by Stephen Gaghan, and executive produced by George Clooney, who also stars in the film with an ensemble cast. Gaghan's screenplay is loosely adapted from Robert Baer's memoir See No Evil. The film focuses on petroleum politics and the global influence of the oil industry, whose political, economic, legal, and social effects are experienced by a Central Intelligence Agency operative (George Clooney), an energy analyst (Matt Damon), a Washington, D. C. attorney (Jeffrey Wright), and a young unemployed Pakistani migrant worker (Mazhar Munir) in an Arab state in the Persian Gulf. The film also features an extensive supporting cast including Amanda Peet, Tim Blake Nelson, Mark Strong, Alexander Siddig, Amr Waked, and Academy Award winners Christopher Plummer, Chris Cooper and William Hurt. As with Gaghan's screenplay for Traffic, Syriana uses multiple, parallel storylines, jumping between locations in Iran, Texas, Washington, D. C., Switzerland, Spain and Lebanon.

Clooney won the Academy Award for Best Supporting Actor for his role as Bob Barnes, and Gaghan's script was nominated by the Academy for Best Original Screenplay. As of April 2. 0, 2. U. S. box office and $4. U. S. energy giant Connex Oil is losing control of key Middle Eastoil fields in a Gulf kingdom ruled by the al- Subaai family.

The emirate's foreign minister, Prince Nasir (Alexander Siddig), has granted natural gas drilling rights to a Chinese company, greatly upsetting the U. S. oil industry and the American government. To compensate for its decreased production capacity, Connex initiates a shady merger with Killen, a smaller oil company that recently won the drilling rights to key petroleum fields in Kazakhstan. Connex- Killen ranks as the world's twenty- third largest economy, and antitrust regulators at the U. S. Justice Department (DOJ) have misgivings. A Washington, D. C.- based law firm headed by Dean Whiting (Christopher Plummer) is hired to smooth the way for the merger. Bennett Holiday (Jeffrey Wright) is assigned to promote the impression of due diligence to the DOJ, deflecting any allegations of corruption.

Emir storyline[edit]Bryan Woodman (Matt Damon) is an American energy analyst based in Geneva, Switzerland. Woodman's supervisor directs him to attend a private party hosted by the emir at his estate in Marbella, Spain, to offer his company's services. The emir's illness during the party prevents Woodman from speaking directly with him while, at the same time, the emir's younger son, Prince Meshal Al- Subaai (Akbar Kurtha), shows the estate's many rooms and areas to Chinese oil executives via remote- controlled cameras. No one notices that a crack in one of the swimming pool area's underwater lights has electrified the water. Just as Woodman and all the other guests are brought to the pool area, Woodman's son jumps into the pool and is electrocuted. In reparation and out of sympathy for the loss of his son, Prince Nasir, the emir's older son, grants Woodman's company oil interests worth US$7. Woodman, though initially insulted by the offer, gradually becomes his economic advisor.

Prince Nasir is dedicated to the idea of progressive reform and understands that oil dependency is not sustainable in the long term; Nasir wants to utilize his nation's oil profits to diversify the economy and introduce democratic reforms, in sharp contrast to his father's repressive government, which has been supported by American interests. His father, at the urging of the American government, names the younger Meshal (who has gained the favor of Whiting) as his successor, causing Nasir to attempt a coup. Assassination storyline[edit]Bob Barnes (George Clooney) is a veteran Operations Officer with the Central Intelligence Agency (CIA) trying to stop illegal arms trafficking in the Middle East. While on assignment in Tehran, Iran, to kill two arms dealers, Barnes notices that one of two anti- aircraft missiles (actually the Stinger.

MANPADS) intended to participate in an explosion was diverted to an Egyptian (Amr Waked), while the other explodes and kills the two arms dealers, who are later also revealed to be "Iranian Intelligence agents." Barnes makes his superiors nervous by writing memos about the missile theft and is subsequently reassigned to a desk job. However, unaccustomed to the political discretion required, he quickly embarrasses the wrong people by speaking his mind and is sent back to the field with the assignment of assassinating Prince Nasir, whom the CIA identifies as being the financier behind the Egyptian's acquisition of the missile. Prior to his reassignment, Barnes confides in his ex- CIA agent friend, Stan Goff (William Hurt), that he will return to Lebanon. Goff advises him to clear his presence with Hezbollah so they know he is not acting against them. Barnes travels to Lebanon, obtains safe passage from a Hezbollah leader, and hires a mercenary named Mussawi (Mark Strong) to help kidnap and murder Nasir. But Mussawi has become an Iranian agent and has Barnes abducted. Mussawi tortures Barnes and prepares to behead him.

Just before he is about to cut off Barnes' head, the Hezbollah leader arrives and stops him. When the CIA learns that Mussawi plans to broadcast the agency's intention to kill Nasir, they set Barnes up as a scapegoat, portraying him as a rogue agent. Barnes's boss, Terry George, worries that Barnes might talk about the Nasir assassination plan, about the possibility that Nasir's coup might have a greater likelihood of success, and that killing Nasir with an MQ- 1 Predator drone would make it obvious as an American- backed assassination. He has Barnes's passports revoked, locks him out of his computer at work, and initiates an investigation of him. Barnes, however, learns from Goff that Whiting, working on behalf of a group of businessmen calling themselves The Committee to Liberate Iran, is responsible for Barnes's blackballing and the assassination job, and threatens him and his family unless he halts the investigation and releases Barnes's passports. After Barnes eventually learns why he was portrayed as a rogue agent, he returns to the Middle East and approaches Prince Nasir's convoy to warn him of the assassination plan. Watch Magic Hour Youtube more.

Song of Myself. Won't you help support Day. Poems? 1. 81. 9- 1.

I celebrate myself, and sing myself. And what I assume you shall assume. For every atom belonging to me as good belongs to you. I loafe and invite my soul. I lean and loafe at my ease observing a spear of summer grass. My tongue, every atom of my blood, form'd from this soil, this air. Born here of parents born here from parents the same, and their.

I, now thirty- seven years old in perfect health begin. Hoping to cease not till death. Creeds and schools in abeyance.

Retiring back a while sufficed at what they are, but never forgotten. I harbor for good or bad, I permit to speak at every hazard. Nature without check with original energy. Houses and rooms are full of perfumes, the shelves are crowded with. I breathe the fragrance myself and know it and like it.

The distillation would intoxicate me also, but I shall not let it. The atmosphere is not a perfume, it has no taste of the. It is for my mouth forever, I am in love with it. I will go to the bank by the wood and become undisguised and naked. I am mad for it to be in contact with me. The smoke of my own breath.

Echoes, ripples, buzz'd whispers, love- root, silk- thread, crotch and vine. My respiration and inspiration, the beating of my heart, the passing. The sniff of green leaves and dry leaves, and of the shore and.

The sound of the belch'd words of my voice loos'd to the eddies of. A few light kisses, a few embraces, a reaching around of arms. The play of shine and shade on the trees as the supple boughs wag. The delight alone or in the rush of the streets, or along the fields.

The feeling of health, the full- noon trill, the song of me rising. Have you reckon'd a thousand acres much? Have you practis'd so long to learn to read? Have you felt so proud to get at the meaning of poems? Stop this day and night with me and you shall possess the origin of. You shall possess the good of the earth and sun, (there are millions. You shall no longer take things at second or third hand, nor look through.

You shall not look through my eyes either, nor take things from me. You shall listen to all sides and filter them from your self. I have heard what the talkers were talking, the talk of the. But I do not talk of the beginning or the end. There was never any more inception than there is now.

Nor any more youth or age than there is now. And will never be any more perfection than there is now. Nor any more heaven or hell than there is now.

Urge and urge and urge. Always the procreant urge of the world. Out of the dimness opposite equals advance, always substance and. Always a knit of identity, always distinction, always a breed of life. To elaborate is no avail, learn'd and unlearn'd feel that it is so. Sure as the most certain sure, plumb in the uprights, well. Stout as a horse, affectionate, haughty, electrical.

I and this mystery here we stand. Clear and sweet is my soul, and clear and sweet is all that is not my soul. Lack one lacks both, and the unseen is proved by the seen.

Till that becomes unseen and receives proof in its turn. Showing the best and dividing it from the worst age vexes age. Knowing the perfect fitness and equanimity of things, while they. I am silent, and go bathe and admire myself. Welcome is every organ and attribute of me, and of any man hearty and clean. Not an inch nor a particle of an inch is vile, and none shall be. I am satisfied- -I see, dance, laugh, sing.

As the hugging and loving bed- fellow sleeps at my side through the night. Leaving me baskets cover'd with white towels swelling the house with. Shall I postpone my acceptation and realization and scream at my eyes. That they turn from gazing after and down the road. And forthwith cipher and show me to a cent. Exactly the value of one and exactly the value of two, and which is ahead? Trippers and askers surround me.

People I meet, the effect upon me of my early life or the ward and. I live in, or the nation. The latest dates, discoveries, inventions, societies, authors old and new. My dinner, dress, associates, looks, compliments, dues. The real or fancied indifference of some man or woman I love.

The sickness of one of my folks or of myself, or ill- doing or loss. Battles, the horrors of fratricidal war, the fever of doubtful news. These come to me days and nights and go from me again. But they are not the Me myself.

Apart from the pulling and hauling stands what I am. Stands amused, complacent, compassionating, idle, unitary. Looks down, is erect, or bends an arm on an impalpable certain rest. Looking with side- curved head curious what will come next.

Both in and out of the game and watching and wondering at it. Backward I see in my own days where I sweated through fog with.

I have no mockings or arguments, I witness and wait. I believe in you my soul, the other I am must not abase itself to you. And you must not be abased to the other. Loafe with me on the grass, loose the stop from your throat. Not words, not music or rhyme I want, not custom or lecture, not. Only the lull I like, the hum of your valved voice.

I mind how once we lay such a transparent summer morning. How you settled your head athwart my hips and gently turn'd over upon me.

And parted the shirt from my bosom- bone, and plunged your tongue. And reach'd till you felt my beard, and reach'd till you held my feet. Watch The Cellar Door Online The Cellar Door Full Movie Online. Swiftly arose and spread around me the peace and knowledge that pass. And I know that the hand of God is the promise of my own. And I know that the spirit of God is the brother of my own. And that all the men ever born are also my brothers, and the women. And that a kelson of the creation is love.

And limitless are leaves stiff or drooping in the fields. And brown ants in the little wells beneath them. And mossy scabs of the worm fence, heap'd stones, elder, mullein and. A child said What is the grass? How could I answer the child? I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green.

Or I guess it is the handkerchief of the Lord. A scented gift and remembrancer designedly dropt. Bearing the owner's name someway in the corners, that we may see. Whose? Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic. And it means, Sprouting alike in broad zones and narrow zones. Growing among black folks as among white.

Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I. And now it seems to me the beautiful uncut hair of graves. Watch The Happy Film Streaming there. Tenderly will I use you curling grass.